Noam Pikelny has emerged as the preeminent banjoist of his generation, and the greatest color-blind banjoist of all-time. Hailed by the Chicago Tribune as the “pros’ top banjo picker,” Noam is a founding member of Punch Brothers, a string ensemble which The Boston Globe calls “a virtuosic revelation” and The New Yorker describes as “wide- ranging and restlessly imaginative.” In September of 2010, Pikelny was awarded the first annual Steve Martin Prize for Excellence in Banjo and Bluegrass. Pikelny is a 3-time Grammy Award Nominee and his most recent release, Noam Pikelny Plays Kenny Baker Plays Bill Monroe, was described by the New York Times as “a token of reverence, a feat of translation and a show of dominion”. The album is widely considered a landmark recording in acoustic music, and was named “Album of the Year” at the 2014 International Bluegrass Music Association Awards. While he has been recognized internationally for his immense musical skill, Pikelny’s greatest talent is perhaps his ability to insert, without fail, into almost all conversations that he was the first member of Punch Brothers to become a homeowner.

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